I first met STYLES OF BEYOND (S.O.B.) in the late ’90s, rapping at parties and with friends in the San Fernando Valley, north of L.A. Years later, I featured them on my Fort Minor album, on songs like Remember The Name and Believe Me.
After we wrapped up the touring for FM, the guys were signed to Linkin Park’s imprint Machine Shop Records. Above all, I believed in these guys, and I loved the music they made. Shortly thereafter, we began putting the finishing touches on an amazing album, Reseda Beach. Aside from the music they self-produced, we had tracks from J. Dilla and Scoop Deville, and even a super random cameo appearance by Michael Buble (which didn’t make album, but was an amazing experiment).
It was a very exciting time–I always felt like the album they put together showcased exactly what set this group apart from other rap collectives:…
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